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It appears your browser does not have it turned on. Please see your browser settings for this feature. These aren't all that bad; "All Together Now" is a cute, kiddieish McCartney singalong, while "Hey Bulldog" has some mild Lennon nastiness and a great beat and central piano riff, with some fine playing all around -- each is memorable in its way, and the inclusion of the Lennon song here was all the more important, as the sequence from the movie itself in which it was used was deleted from the original U.
George Harrison's two contributions were the more striking of the new entries -- "Only a Northern Song," a leftover from the Sgt. And then there was the jewel of the new songs, "It's All Too Much"; coming from the second half of , the song -- resplendent in swirling Mellotron, larger-than-life percussion, and tidal waves of feedback guitar -- was a virtuoso excursion into otherwise hazy psychedelia, that was actually superior in some respects to "Blue Jay Way," Harrison's songwriting contribution of The Magical Mystery Tour; the song also later rated a dazzling cover by Steve Hillage in the middle of the following decade.
The very fact that George Harrison was afforded two song slots and a relatively uncompetitive canvas for his music shows how little the project meant to Lennon and McCartney -- as did the cutting of the "Hey Bulldog" sequence from the movie, apparently with no resistance from Lennon, who had other, more important artistic fish to fry in What is here, however, is a good enough reason for owning the record, though nothing rates it as anything near a high-priority purchase.
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